Though he often manually develops rolls of film he has no interest in creating images in the traditional sense. Instead his work concerns itself with the relationship of the medium to the world at large and its development through political and social phenomena – the catalyst for which was the destruction of a selection of films during his passage through airport security post 9/11.
As a result Walead often works with processes that mirror photography, beginning with a blank medium and allowing a variety of chance circumstances to shape the appearance of the final image.
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